May 28

Arvin’s Got Your Number

In the past week, my local art presence decreased significantly. It reminded me that I need to keep on top of online matters, such as this often neglected blog. So without any further ado, let’s look at the next carnival piece…

 

Cheri is quite the thrift and estate sale shopper, and she found this very stylish space heater sometime back. Not sure what to do with it, she asked if I could make anything of it. I was pretty sure I could, but at the moment didn’t know exactly what, so it sat in my studio for a few months. It has that carnival feel so it just had to be in this series, so I got to work. First a mostly before picture, though the front grill was already removed, and a handle has been added at the bottom.

arvin-space-heater

The curves on this space heater are great…it reminds me of 30′s and 40′s architecture. I quickly got to adding a red and gold paintjob on it. The head you see in the next photo is the top of a stairway post, which later found out is called a Newell. The part behind the head in the photo above is a bike gear, given to me by my dad.

fortune-lights

Another noticeable element seen above are the lights. I already had decided by this point that this would be a fortune teller booth, and no fortune teller booth is complete without colorful lights. This was probably the trickiest part of this project, as there is very little wiggle room inside the space heater at the top, but just enough to house a double light fixture. A yellow light goes on the left side and a red light goes on the right, creating the odd atmosphere I had envisioned.

 

The next task was the head itself. This one stumped me for a bit, and will even show my first unsuccessful attempt:

arvin-head-try-one-web

Oops…maybe this head will work in something else

Above you see the newell starting to be cut apart and the strange centurion that came about. Besides not matching the theme at all, the “helmet” completely blocked the light from above, ruining the effect. I would need try again, but sadly this newell was unserviceable at this point. As luck would have it, the next day a new newell was found at a garage sale. Back in business!

 

Another issue was the fortune itself. Most fortune teller booths have some kind of message on paper come out. Had thought about some mechanized way to do this, but that was getting complicated. Instead, maybe it was a fortune teller gone haywire, with fortunes spilling all over the place? That sounded more fitting, so decided upon using strips of dates from a calendar I have had around for years:

dragon-calendar089

I cut rows of these dates and glued them to thin strips of metal, and then placed them around the inside of the space heater, as well as one spitting out of the fortune teller’s mouth.

Unfortunately I have few progress shots on this piece, but got caught up so much in this one that photos were forgotten at many stages. But what I lack in progress shots I make up for in finished shots. First some daytime shots:

Arvin the Amazing

You can see how the calendar dates now appear in these shots, like a printer spewing out little bits of paper all over. Arvin the Amazing - right

The head itself, as mentioned above, was made from a second newell. This time, I wanted to keep the roundness emphasized, as the lights show up better on it. So I took a drill and dremel and carved out the eyes, mouth and nasal cavities. Unlike metal, when boring into wood with a dremel, smoke gets everywhere, and my eyes were stinging by the end of this. A couple blue marbles were used as eyeballs, and a spring as its teeth.

Arvin the Amazing - Detail

Arvin the Amazing – Detail

Next, let’s see a couple shots inside, where the lighting really comes into play:

Arvin the Amazing - with lights

While the yellow and red light were on in the shots taken outside, they were barely noticeable. But as seen above, they make the whole piece come alive. And here’s one more view from the right:

Arvin the Amazing - with lights from right

This art is called “Arvin the Amazing,” named after the space heater itself. It is a 10 x 10 x 6 inch shadow box artwork using a space heater as enclosure. It is lit with 2 lights and can be either mounted on a wall, or set on a flat surface.

 

I have now made 2 carnival works (plus a mermaid) and have started on another with the Knife Thrower as theme. If I can get at least 10-12 of these done, it would be nice to have a show of these. Like last year’s Æssemblage book reception, it will likely be held in my home, and probably right before this year’s East Austin Studio Tour, so all the work will be set up. And I’m pretty sure that venue will be free. ;)

May 24

The Story of Matilda

I really like it when artwork arises due to external circumstances. It was how last year’s Aesop’s Fables came to life, and is how a potential new series is starting out as well.

Like many art projects, this one started out by playing with some parts, in this case parts from an Underwood typewriter I had dissembled. About the same time I received an invitation on the mail for an unusual art show.

BYOBEARD

BYOBEARD announcement illustration by Litsa Litsa

A woman who goes by the name Litsa Litsa has been organizing a show called “BYOBEARD,” and as you may guess, the theme is facial hair.  The opening will be June 22 at Pump Project. See more information about the opening at the Urbanskep website. Also click on the thumbnail below for a larger image of the invitation.

 

web_byobeard

BYOBeard Invitation

 

At that point I got the invitation, I decided I would tack on a beard or mustache to the figure I was working on, and then submit it. I had curly-q pieces of metal that were being used for the mermaid waves (see last blog entry for details) so took one of those and made a handlebar mustache. As my figure had a rather feminine quality to it, I decided that it could be like the Bearded Lady, but in this case the moustachioed lady. The whole thing quickly took a carnival feel, complete with a stage and even lighting:

matilda-light-install-web

The housing is an old roll-top CD box. A candlebra light is installed at the top. The first thing I noticed when plugging it in was how bright the light was, so needed to create a shade for it. The picture below shows the shade, as well as a coat of paint and other decorative elements such as  the inside of a book cover for the background, and a floral metal strip from the sides of a tray.

matilda-box-web

As seen above, the exterior of the box was painted mostly red. I thought this was a bit too monochromatic and would later paint the slats an alternating pattern of gold and red. This offered more visual variety, and fit the theme of a carnival much better. The next step was to work on the moustachioed lady herself, who now was called Matilda.

matilda-figure-web

Matilda is made mostly from the typewriter parts, along with her distinctive metal wire handlebar moustache and jello mold pompadour. As Matilda’s legs are so narrow, she had to be attached to the box by a bolt from her midsection to the back. Everything had to be deconstructed and then reconstructed again, but somehow it all worked.

 

After she was attached, there were a few more touchups, and then Matilda was complete. The box itself still has the ability to be open or closed, though it sometimes get a little stuck. Here is closed view:

matilda-closed-web

Roll open the stage, and Matilda the Moustachioed Lady appears!

matilda-yellow-center-web

I added a bunch of medicine vials to the floor of the stage to better connect Matilda to the background. These are antibiotic vials that I have had with me for about 20 years, and finally have made use of them.

A clear light was first used to light the box, but then I switched it out for a yellow light which I think fit the mood better. The light seen in these photos doesn’t really capture the mood, but can at least give you an idea of how it looks. A shot taken in dark light resulted in the yellow light dominating the photo, and not showing how it looks at all.

Matilda the Moustachioed Lady is a 15 x 7 x 7 shadow box construction with electric light. The cover slides open and closed (albeit with some difficulty) and the artwork is best hung on a wall. Here are a couple more photos.

Matilda - right

matilda-yellow-detail-web

I will be writing about another carnival figure I created in the next couple days, so stay tuned!

May 15

The Mermer and the Eyestalk

Still skipping about chronologically, today I come back to the present and share with you some art I finished 2 days ago. I started this in early March, but had a few delays in finishing it, including a nice trip to New Mexico. Below is a scene from the Taos Mountains that would never be seen in Austin, though I can recall from my childhood in Maine:

cars-snowed-in

The addition of the futile shovel on top of the first car is a nice touch.

Anyways, this is yet another in the series of ocean pieces I have done, and takes place inside another breadbox.

mermaid-box-web

The original inspiration for this artwork were two items from the junkyard: the pieces that serve the arms and the torso. By the end both of them would be altered greatly. After playing with the design, I got to adding color.

mermaid-box-color-web

As the form of the figure was taking a definite mermaid/man figure (or as I call it, the Mermer), I wanted this to have an underwater feel, so went for aquamarine, dark blue, with gold highlights. Also added a metal frame to the top and bottom for decoration.

mermaid-body-added

I added the curly-q waves by cutting several holes into the base of the breadbox, which happened to stiff cardboard. Another bottom had to be created underneath it for structural purposes. Next the Mermer got some color, as well as some plant life for company.

mermaid-with-plants-web

There is some seaweed floating around the tail, and also added an image from the inside of a book cover, which was altered in photoshop to match the colors. I really couldn’t decide whether to have the Mermer underwater, or floating in some grotto, so said what the heck, and let it be both. The beginning of a sentient plant is seen in the foreground, which for now looks almost like a starfish. Later it would get an eye, as is seen in the next photo.

A mad creator looks on at the hapless eyestalk

A mad creator looks on at the hapless eyestalk

Can’t say what the metal pieces are, but the eye itself is a marble. With the eyestalk done, it was time to tackle the part I had the hardest time getting to work: the Mermer head. If you have seen in the previous pictures, I had tried various things for the head, but nothing was satisfactory.  Finally a wooden leg of a table would become the basis of it. The wood allowed for some carving and drilling, which allowed eyes and hair to be inserted easier. The hair is some kind of aluminum casing for wiring perhaps, and the eyes are beads that I painted. Cut-out bits of metal served as the rest of the details of the face.

mermaidhead-web

Next was the “simple” task of putting it altogether. The eyestalk was very easy, as it could be screwed in through the starfish thingie into the breadbox. The mermer head was very difficult. I added a choker of sorts that provided balance for the head, and a shell that the head rests on in the back.  And as you can see, the body was greatly altered, with forks added as hands and at this point it is definitely a Mermer of the female variety. Both my girlfriend Cheri as well as another female friend stressed that she needed nipples, so who am I to argue? Below you can see the end result.

The Mermer and the Eyestalk - RIght view

Like as is usually the case, a photo doesn’t really do justice to all the details. The eyestalk itself appears much more prominent when seen in person (or in eyeball), but in the photo the background competes with it. But these photos at least give a good representation of the artwork.

 

The name of this piece is “The Mermer and the Eyestalk.” It is 16 x 10 x 10, and can either be hung on a wall or set on a relatively flat surface. It is available for $850.

The Mermer and the Eyestalk

The Mermer and the Eyestalk - Detail

Apr 29

Message in a Bottle in a Box

For the four of you who follow this blog regularly, you probably realize that the owner of it  (i.e. me) isn’t the best at keeping it updated. Considering the artwork to be discussed was made in December of 2012, this will only reinforce that belief. While my facebook page stays very current, the amount of time that goes into these creating blog posts seems to be a deterrent to me. But I still try, and here is my not-so-latest effort…

It started out with a rusted out electrical box.

ocean3-box-web

I had been making a series of oceans inside boxes when I started this, including this piece and this piece. So I decided to keep the theme going. First the door was removed and some texture was added with acrylic paint.

 ocean3-seabed-web

The little metal circles you see above that form the island mass are called star washers. If anyone happens to have any, please contact me. I have finally run out, and really love using these. Anyways I needed to add some waves, and I used some wavy metal rods that were used for waves in previous pieces.

electric-ocean-island-web

They really do the trick for creating water! A jungle started to form on the island using some rusty sticks.

Next I needed some subject for the piece. I first thought of making a giraffe like the first ocean box, but was not concerned about what the final form would turn out to be, and it came out looking more like some kind of dinosaur.

ocean-dino-giraffe-web

I’m just going to say it’s a primitive dinoraffe. The below photos show the final result. The two big things added were a very swirly sun as background and a bottle in the water. The dinoraffe had the appearance of viewing something, so I figured it was a bottle, either coming to or from the island.

 

The Bottle - Left View

The Bottle – Left View

The Bottle

The Bottle

The Bottle - Detail

The Bottle – Detail

The Bottle is an assemblage within an electrical box. It is 10 x 10 x 5 and is hanging artwork. It is available for $500. Please contact me with any questions about it.

Feb 21

Mr Toad

Wind in the Willows - Kenneth Grahame

 
“It’s never the wrong time to call on Toad. Early or late he’s always the same fellow. Always good-tempered, always glad to see you, always sorry when you go!”

–Water Rat, from Wind in the Willows

 

Toaday’s, I mean today’s art entry focusses on the famous novel by Kenneth Grahame, as you may have figured out already.  Wind in the Willows revolves around the characters of Mole, Water Rat, Badger and Mr Toad.  Mr Toad gets himself into a considerable amount of trouble throughout the course of the story, including his very famous reckless driving.

 

While working on this artwork, Cheri got me the novel to use perhaps as a collage element, and in the process I started reading it. However, I got to about page 60 or so, and it skipped to 127. Somewhere later in the book, it picks up at page 80. Looks like someone was drunk at the bindery.  I’ll have to find another copy and finish it later.

 

So the original inspiration for the following artwork came from a piece of broken metal I had in a bucket. It appeared to me to be a car, and an older looking car. Remembering Mr Toad’s wild ride, I set upon to create a scenario where he is terrorizing the countryside.

At first I got some pieces of metal together and hastily arranged an initial composition.

Mr Toad Progress Shot 1

I have a drawer that is devoted to flattened pieces of metal. I wanted the sky to have some variety, so took a stack of these and made them into a pattern above. A bunch of cabinet handles served as the road/ground, and a couple of gears made the wheels. This original box felt small, so I moved it all into something larger.

Mr Toad Progress 2

A larger background would give more of the feel of a wide-open countryside. Added some wooden parts from a placemat as the ground, and a clockface for the sun. The composition felt lacking though at this point, so I had to give it more thought.

Mr Toad Progress 3

The horizontal sticks behind the car became a background field, to give a bit of depth to the piece. Kept playing with all the elements more and started adding color.

Mr Toad Progress 4

The basic colors of the piece were now decided at this point. Added some keys as a vegetal element in the background, and have most of the elements arranged the way I want them to be. There appears to be one major subject missing at this point…

Mr Toad Progress Shot 5

Yep, Mr Toad himself! This proved to be the trickiest part of the entire piece. I had to hollow out part of the car where he is sitting, which involved drilling into the metal and then grinding it down. All his parts had to connect to each other, and then to the car itself. He himself is made of measuring spoons for body and head, peg hooks for arms, and a jello mold for his cape. The cape looked like it was hanging down too much in this picture, so afterwards tried to make it looked like it was blowing in the wind.

The next shots are the final photographs, as most of the work at this point involved lots of drilling, attaching everything together, and some paint touchups. The only new element added were some tree like forms on the right hand-side of the piece.

I am simply calling this piece “Mr Toad.” It is a 20 x 20 x 4 shadow box construction inside an old drawer.  It is available for $950. Feel free to contact me with any questions.

Mr Toad - Center View

Mr ToadMr Toad - Left View

Mr Toad - Detail 1

Mr Toad - Detail 2

Feb 12

Valentine’s Day…the Assemblage Way!

I have been doing shadow box style assemblages for almost a year now, so it was probably time to try something a little different. Considering a certain holiday is upon us, I thought it might be fun to try my hand at hearts. First I cut out 4 heart shapes from some plywood lying around. Next chain was wrapped around these hearts as an outline. The photo below illustrates the beginning of the layout process:

heart-start

The next photo shows a later stage of development. What was interesting about making these is how I used much different items than I usually do. There was more of a focus on decorative pieces such as cabinet hardware and candlestick holders.

cardio-art-progress2

The amount of “stuff” that piled up during the making of these hearts got to be…ridiculous. Here you can see the state of things during the making of the second batch:

Junk of Hearts

Somehow I preserved my sanity and made 9 of these. Happy to say that 8 of them have sold. You can snag the last one, Blue-Pink-Silver CardioArt, at my Etsy shop. UPDATE: the last one sold as well!

Below are thumbnails of the first 8 designs. Click on them for larger pics:

CardioArt Red/Gold ICardioArt - Blue-Magenta-GoldCardioArt Red-Gold Heart IICardioArt Purple-Gold Heart ICardioArt Green-Gold HeartCardioArt Purple-Gold Heart IICardioArt Blue-Pink-Silver Heart CardioArt Red-Gold Heart III

 

While the original artwork is gone, I added them all into my Zazzle Store as shirt and mugs.

Here is the link: My Zazzle Store

If there are any other items in the Zazzle Store you’d like these hearts on, or would like to see some of my other art on, just contact me.

Zazzle also has a handy feature called customize that let’s you make the items just as you want. If you use that, just be careful not to make the image so big that it gets cut off.

Anyways, that’s all for today! Happy Valentine’s Day!

Feb 01

Artin’ at the Garage

During this year’s East Austin Studio Tour, I had the pleasure of meeting Gabe Langholtz, a very talented artist here in town. (You can view his artwork at www.gabelangholtz.com) We talked for awhile, and he told me that he shows his work at a local gallery in town, called the Austin Art Garage.  Austin Art Garage is a lively and fun gallery where the art is literally wall-to-wall. Here is a picture from their facebook page.

Austin Art Garage image

Austin Art Garage

 

There is a lot of art to see, including that of Gabe mentioned above, as well as another another great artist friend of mine, Judy Paul.

 

 

 

Jan 18

Don’t Go in the Basement!

Another big gap in entries….oh well. Let’s “splash” into some art:

A few months back I acquired a very worn Underwood typewriter at a garage sale. I really loved the keys, but had no idea what could be done with them. So it sit around patiently (well already in pieces) until it was needed.

underwood-web

The key to my next art piece…

Recently I also got this breadbox, and tried the idea of the keys spilling out of it.

breadbox-with-keys

There was a very organic feel to them, with lots of motion. But the piece overall needed some kind of theme. As I have been doing ocean themes lately, I started to see them as some body of water, and plopped a whale in them without warning. Also added a stairway, and it became a basement with major leaking issues. Already the resident of the house comes down to see a major surprise.

ocean-breadbox-start-web

The breadbox was completely repainted to my familiar bronze/gold tones. Like all good basements, this one should also have rows of shelves in the background. The shelving is in fact from tiny drawers of a jewelry box. The whale decided to have nothing to do with this piece, and in its place was a floating bed. The mattress material came from the same jewelry box.

ocean-breadbox-shelving-web

Much of the work at this point was not photographed, but involved putting many little objects into the shelves such as teacups, boots, guns, thimbles and inexplicably, a satellite dish. A column was also added, and more work was done to the resident. Now I had to decide what was going to be sitting on the bed.

With dremel in hand I began to work on that subject.

back-to-the-grind-web

I had posted the above photo on facebook recently, and asked people if they could guess what it was. No one guessed it correctly, but 2 people (including Dad) informed me that the part is a derailier cage from a bike drivetrain, so I learned something new about the stuff I use. The next photo should make the identity of the critter a little clearer…

breadbox-snail-assembled-web

And with a coat of paint, it becomes a snail.

snail-breadbox-web

One major addition to this piece was the introduction of lighting. I had thought of just tacking on a bulb to the top, as would appear in a basement, but then thought it would be even more fun to have it a working light. Fortunately in town we have two stores side by side: one that sells every light bulb under the sun, and the other that sells parts for creating your own light fixtures. With their help I was able to create a little light for this piece. The light is on in the finished pieces below, but the natural light mostly overpowers it.

The name of this piece is “In the Basement.” It is a construction inside a breadbox with an electrical light. The size is 18 x 12 x 12 and can either hang on a wall or sit on flat surface. It is not recommended that any bread is stored inside it. It is available for sale and feel free to contact me with any questions.

In the Basement

In the Basement

In the Basement - Left View

In the Basement – Left View

Nov 30

More Sailing in an Ocean of Boxes

My last blog entry chronicled the voyage of a giraffe-laden vessel swimming into a sunset (or sunrise or noonish sun). Today we chart our course to a new body of water, where the winds are a bit rougher, and a big fish is present. Let’s see how it surfaced from the sea of my subconsciousness…

First the setting…

bigfish-box-web

A lovely spice rack

One of many items that Cheri finds during her travels, this spice rack had great potential to serve as the housing for some kind of art. While talking with a friend during east, we noted that the ornamental wood in the doors looked like waves. Considering the last piece was of the ocean, it seemed only right to continue on that theme.  So I removed the waves and arranged them inside the rack (as well as removing the center shelf of the rack).

Next I did quite a bit of painting, as well as loosely assembled a sea creature…

big-fish-paint-web

20,000 Leagues Under the Armoire?

I had originally intended to remove the doors, have the action all within the box and maybe just bolt the bottom drawers. But it seemed flat…at some point I thought it would be cool to have something emerge from the drawers, and that’s when the fish came to be. So I had a fish all by its lonesome in a vast sea. Naturally he needed a reason for jumping out of the water, and a slowly a raft emerged on the left hand side…

bif-fish-raft-web

A Raft Caught in a Draft

The raft made sense so I started working on its owner….

big-fish-castaway-web

Captain O Captain!

A very familiar looking face, especially if you saw the previous piece. And the arms are short pieces of the waves used in the previous piece as well.

Next step was putting the fish altogether. This probably was one of the most time-consuming parts. There were first natural places to attach everything, and a lot of cutting and drilling was required to put it altogether.

Fish Head

Fish Head

One issue that came up was the sun. Besides the fact that I seem to have a sky orb in about 75% of my pieces lately, it didn’t seem to help the composition any in this one. And as the raft seemed to be blown by some wind, it only made sense to replace the sun with some clouds, which were springs from clocks and other mechanical devices.

big-fish-clouds-web

Spring to Action!

At this point, it was a matter of battening down the hatches (and the art) and painting everything. One change in color occurred when I painted the fish a marine-blue-green. It didn’t match the rest of the piece, so I decided to paint the waves and sky to match the fish.

Below are some shots of the final piece. The name of this piece is “The Big Fish” and is 14 x 16 x 4. It is available. Feel free to contact me with any questions.

The Big Fish - Front View

The Big Fish - Angle View

The Big Fish - Detail 1

The Big Fish - Detail 2

 

Nov 30

Sailing in an Ocean of Boxes

The next two blog posts will have the smell of brine on them; both cover recent pieces with an ocean theme.

The original inspiration for the first piece was the rusty metal box seen below. The sun looking metal part looked like a good fit, and first had it centered in the box. Next added the waves, as had shown up in a couple of my Aesop art pieces. Perhaps after having worked on so many Aesop’s Fables made my mind want some kind of narrative, but whatever the reason, I thought the centered composition was lacking something. A recent trip to a store up in Taylor changed the piece quite a bit (see the bottom photo):

ocean-in-box-parts-web

The initial pieces in the high seas puzzle

ocean-in-box-start-center-web

The first layout

ocean-in-box-start-web

The head of a gardening tool became a sea vessel.

I removed the handle from a very rusty gardening tool I found at the store, turned it upside down, and it became an instant boat. From an ornamental/abstract piece it quickly became the story of a boat sailing the ocean. Now I would still need to figure out who was sailing that boat, but first a bit of color…

ocean-in-a-box-color-web

The initial paint job (excluding the boat)

Next the waves needed to be attached…

ocean-in-box-waves-web

And now the crew! A couple years back I did a drawing of a boat and its unusual crew….

The Boatride

I thought adding all the crew would be a bit jumbled, so decided to stick with the most prominent member…

ocean-in-box-riders2-web

A giraffe and a couple of shipmates (soon to be one)

So added the giraffe, with two others, who seem to be twins. Sadly, one of them must have gotten washed away at sea (or lost in my piles of junk). But the two remaining crew members sail on bravely, in their purple boat. The boat itself had a number of color revisions before settling on this lavender-purple.

Below are a few shots of the final piece. It is called “Ocean in a Box” and is sold. It is 8 x 13.5 x 6 inches.

Ocean in a Box - Front View

Ocean in a Box - Left View

Ocean in a Box - Right View

Ocean in a Box - Detail

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